Moose Jaw Riverbank

Oil on canvas               $425

11 October 2014 found us 9.5 km east of Moose Jaw, Saskatchewan, approaching the north bank of the Moose Jaw River on foot. We forced a path through waist-high vegetation, downhill toward the riverbank. It seemed that everything was growing there, not mixed together, but in patches. Clumps of wild

Bend in the Assiniboine (oil on canvas 6 x 12 in.)

18 October 2014 finds me painting a bend in the Assiniboine River 5 km south of Miniota, Manitoba, 7.5km downstream of the planned Energy East pipeline crossing.  A Bald Eagle flies across the river and I paint it into the scene where it lands to sit briefly, high in one of the tall Ash trees that reach their split, scarred trunks through the tangle of the riverine forest on the far bank.

Eagle River Hatchling (oil on canvas 7 x 9 in.)

24 October 2014 finds me clambering down the steep embankment from Highway 17 beside the bridge over the Eagle River, a little over two kilometres north of the town of Eagle River, Ontario. 

This is a broad, clay-bed river with boulders scattered along its edges and also emerging from the flat yellow-grassed clay and gravel shores.  A tall crest of Pines and Spruces reflects darkly from the far shore. I am searching for a scene.  

The soft wet sandy shore looks like a highway for wildlife. Deer tracks predominate, large and small cloven hoof prints - added to them are fox mink and Racoon, duck and Heron. The water is not quite clear, and olive brown.  An overcast day with a light breeze that one would call quiet if it

Winnipeg River and Tunnel Island (oil on canvas 7 x 9 in.)

23 October 2014 finds me at a boat launch on the Winnipeg River, at the end of the Miller Rapids Road, north of Kenora, Ontario, looking upstream toward "Tunnel Island" and admiring the contrasting colour bands of the late afternoon sky to the west. Fred and Teika Newton are inspecting the shore of the bay on my left, picking up handsfulls of rich snail drift and observing Deer, Beaver, Raccoon, and

Pipestone Creek Marsh (oil on canvas 8 x 8 in.)

16 October 2014 found me astonished at the broad swath of cattail marsh that is Pipestone Creek, hemmed in by its forested valley wall, southwest of Broadview, Saskatchewan. The high sharp line of the flat prairie outside of this valley world is visible on the horizon though a gap in the trees. We are a little over a kilometre upstream of where the Transcanada pipeline crosses the Pipestone. We are past the places where we have the pipeline route mapped - so today we navigated by dead reckoning and were pleased to find

South Saskatchewan Bluffs (oil on canvas 7 x 9 in.)

8 October 2014 finds me gazing at the castellate bluffs of eroded loess along the South Saskatchewan River upstream of Alberta Hwy 41, west of Burstall Saskatchewan. We could see that there were interesting bluffs as we gradually descended along the highway toward the bridge, but here at river level, they are much more impressive - and the river itself is clear and green, ruffled by the wind into wavelets that weave green and blue into a new intensity of colour that even in a narrow strip, balances the strange bold shapes and stark contrasts of the wind-carved bluffs. We drove from the bridge to a kilometre-long area of campsites to a broad rutted area at the river that serves as a boat-launch.

The Transcanada Pipeline crosses the South Saskatchewan River 8.2 km upstream of here. I settle on a view of castle-like formations directly across the river and perch my folding chair on a low

Distant Bluffs on the Red Deer (oil on canvas 6 x 12 in.)

7 October 2014 finds me sitting behind the guard rail in a camp chair, at the bridge over the Red Deer River, 3 kilometres northwest of where the Transcanada pipeline crosses it at Bindloss, Alberta.  We came here past the village of Bindloss, which is a compact island of treed buildings in an oceanic expanse of prairie. There at the top of the bluffs, the prairie appears vast and slightly rolling, hiding its creeks and rivers in the creases of the landscape. Coming to the bridge we find the Red Deer River again, and I'm taken by the way the evening sun guilds the edges of the distant bluffs that wall this valley. 

Red Deer River Sandbars (oil on canvas 8 x 16 in.)

4 October 2014 finds me on a long, wood-plank bridge over the Red Deer River, 16.3 kilometres upstream of the Transcanada Pipeline crossing. The bridge is just north of a tiny place named Buffalo, near a smallish oil drilling operation, a couple of hours north of Medicine Hat, Alberta.  I am, again, enjoying sandbars, looking downriver with the prairie wind and the afternoon sun both

Muskrat's Island (oil on canvas, 7 x 9) Sold

9 September 2014 finds me in the bow of Scott Haig's canoe, exploring the perimeter of a small island in the Mattawa River, east of North Bay, Ontario. Scott has brought us through the eastern tip of the deep, spring-fed Trout Lake, to the Trans Canada Pipeline crossing at "The Narrows" of the Mattawa, where it flows into Turtle Lake.  

The island is pictureque - a pyramid of rock and trees, backlit by the afternoon sun. Paddling over to visit it, we find Leatherleaf and Sweetgale, leaning out to their reflections from lichen patterned rocks. Golden green mosses flow down over the shoulders of the granite rocks at the feet of tall slim White Pines and Cedars. As we paddle along the shaded north east side of the island, I notice open mussel shells glimmering submerged among the

Rigaud River Willows (oil on canvas 7 x 9 in.)

4 August 2014 finds me looking out at the Rigaud River, from between two big old Willows at least 70 cm in diameter, with heavily ridged corky bark and moss-streaked bases. They are rooted in a jumble of granite rocks strewn with sticks and bark drifted there in spring floods. The left one has a felt of tiny rootlets over rock that it uses for feeding when the water is high.The right one elbows out near its base, leaning

Jock River Sunset (oil on canvas 9 x 12 in.) Sold

26 July 2014 finds me sitting on my painting caddy on the low grassy bank of the Jock River at the Trans Canada Pipeline crossing, south of the town of Richmond, Ontario. The setting sun glows through the boughs of an Ash tree across the river from me, and as I paint, the sky which this afternoon has been bright and cloudless but more white than blue, becomes more and more interesting now, with a few lavender clouds rising up from the west and drifting like scarves across the sun. Yesterday in Ottawa I first noticed the heavy haze smelling faintly of woodsmoke which must be from forest fires far to the west and the south.

On our hike in from Dobson Lane we heard a Gray Tree Frog call, and saw two adult Leopard Frogs along the grassy ATV-rutted track. Now at the river as I settle down to paint we hear the voices of three kinds of Ranid frogs calling from where

Madawaska River Crossing (oil on canvas 10 x 10 in.)

3 June 2014 found us just downstream of where the Trans Canada Pipeline crosses the Madawaska River, starting a painting of the steep north shore with its rocky outcrops and White Pines tossing their branches against the sky. The buried pipeline goes steeply down into the river from the far shore just to the left of this scene and then comes up through the meadow-like rightofway beside me.

We'd come in from Stewartville Road along the south shore of the river, and upstream of

Summer Calm South Nation (oil on canvas 8 x 8 in.)

19 June 2014 finds me three kilometres northwest of Winchester Springs, Ontario, painting a view across the South Nation River from a steep grassy bank on its north shore. Tall grasses screen the river's edge. I have flattened some of the Bromus and Reed Canary Grass into a nest for sitting in the combined shades of a licheny sprawling Manitoba Maple and a stocky low-spreading Ash tree.

The elegantly up curved twigs of the Ash frame the right-hand part of my

Launching an independant assessment of the Energy East pipeline route

This is a painting that I did at our long term amphibian monitoring site near the Trans Canada pipeline crossing of the Wicklow River, south of Cochrane in 2010. The young Spruces here are growing under Aspens and Poplars on claybelt soil that was an open field when Fred and Jim Rising first caught Wood Frogs here in 1972. We've learned that the highway was re-routed in 1960, about the time of construction of the Trans Canada Pipeline, and it may well be that these two events were coordinated.

Landscape Art and Science is what we do - the partnership of a biologist and an artist for exploring and documenting Canada's landscapes in the face of environmental change. In 2014 we are launching an independent assessment to find out what the characteristics of the rivers and streams are that the Energy East Pipeline would cross. Our field work will focus on Ontario through spring and early summer, and in the late summer and fall, we'll explore the route from New Brunswick to Alberta and back.